#just let me have my opinion

[kenapiece-main]

Can you believe I'm having to make this meme even after successfully finishing up taxes and applying to job

[egophiliac]

ENG PLAYERS I BESEECH YOU

I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.

like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --

[backjustforberena]

Corlys and Rhaenys at their daughter's wake, with their grandchildren. DO NOT REPOST.

[randomalistic]

Wait you guys are actually buying Disney products I thought it was a joke

(READ TAGS FOR FULL CONTEXT Sorry it’s long dies

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[show-us-kaidenshenandoah]

every time i watch anything with him in it (admittingly, predominantly from the Dropout app), i am reminded that Lou Wilson is the most handsome man to have ever lived. like, objectively. he just is. i will hear no arguments for any other person to be ranked higher. Lou Wilson: whose face single-handedly shows humanity can go no higher in beauty. he is THE most attractive man in the world. argue with the wall lmao

[grimme-and-specs]

You know I had to do it to 'em too

Bonus:

EDIT, 2024-4-5:

If this gets to 213 notes before 4-13 I will personally redraw this earlier than planned.

[loseractivities]

Ok time to yap about Billy Loomis. What is bros sexuality?

Billy is 100% gay. I also think that he’s on the aromantic/asexual spectrum, with the best label fitting him being demiaroace. In simple terms, I think the only way he feels authentic romantic/sexual attraction is when he has a very deep emotional, (whether he likes to admit that or not), bond with someone.

People often like to bring up his romantic relationship with Sidney and his sexual affairs with other women, one of which we have proof of in the later movies. Because he was dating Sidney before his mom even left, and they were known to have started off “hot and heavy”, (as Billy likes to call it), he didn’t really have any reason to be doing that. Or did he?!

It goes without being said that Billy is a conventionally attractive white male in the ‘90s. In the movie, we already see Billy’s efforts to appear as normal as possible, wearing bland clothes with little room for interpretation and speaking very little to others. Which leads to why Billyboy was sleeping with girls when he was a big fat QUEER!! …

Billy loves control! He loves it, he loves planning everything out and acting it out like it’s a movie because of his dumb special interest. He loves predictability, he loves feeling normal, and he loves having control over people. What better way to feel in control, (perhaps of his own sexuality), than by sleeping with and casually dating girls!! It makes so much sense.

How does Stu play into this?

Well firstly Stu is Billy’s only real friend. Through subtext we can tell that Billy trusts Stu a lot, considering he trusted him to 1. Call Sidney while he was in jail. 2. Be ghostface with him and have him not tell anyone. 3. Literally fucking stab him… The list goes on. People like to say that Stu didn’t know Billy’s real motive too, which is fucking stupid because why wouldn’t Billy tell him this?? One entire year between murdering Sidney’s mother and then eventually attempting to murder her and all her friends, and you’re telling me Stu wouldn’t have suspected a thing? Just for fun?? Yeah right!

Also people try to say “okay, well then why did Billy stab him so much in the kitchen if he wasn’t trying to kill him”? Firstly it was always part of the plan for Stu and Billy to be the only survivors because only one survivor is extremely suspicious. Secondly you can tell he was just not thinking clearly, he acted on his anger and lost focus of his goal (KILLING SIDNEY??NOT HIS BF??) which is something he NEVER DOES!!

Man,, the whole final act is my favorite, because it really shows both Billy and Stu coming apart and quite literally COMING OUT as the killers. Come on guys. Media. Fucking. Literacy. They literally penetrate each other right in front of Billy’s girlfriend, and that shit was freaky as fuck.

ANYway I’m going off on a tangent. I do wanna talk about why Billy didn’t explicitly say anything about being gay when he so very obviously is. Billy, in all areas, is much less obvious than Stu.

He’s closed off, secretive, keeps up a pretty believable facade to everyone until the finally is able to drop the act. It makes sense he isn’t as physically or verbally affectionate with Stu, and for this reason people are more inclined to believe Stu is gay and in love with Billy more than Billy is gay and in love with him. Well, in order to get a good sense of Billy’s relationship with Stu, you have to look deeper. Let’s start with some things from the script, since there are very few scenes with the two interacting.

Stu and Billy, in the script, are best friends, have known each other since kindergarten, and are partners in crime. Billy obviously is capable of forming strong bonds and connections with very specific people. Even unhealthily so, and we see this in the relationship he has with his mother. He idolizes her, victimizes her, makes her more than she was as a coping mechanism and never officially comes to terms with the fact his mom probably wasn’t as great as he remembers. And when his mom leaves, he breaks, needs control (as stated previously) because his life is suddenly unstable and who does he turn to? Stu!

Also I just wanna say when Stu drapes over his back Billy leans into him okay thanks. Body language in this movie means SO FUCKING MUCH TO ME these actors did amazing. When Billy follows Sidney inside the look of CONTEMPT ON HIS FACE!! The way he looks through his eyelashes. The acting is impeccable Skeety, I love you!!!! 😐😐 Also the way Billy looks at Stu before stabbing himmm…He;s in love I promise. In whatever way he knows how

Lastly the boy has autism

Passionate interests, he loves horror movies and constantly references them throughout the film. Even at unconventional times, like when his girlfriend is venting about her dead mother. Eye contact and too much staring. Meltdowns when overstimulated. The whole last act was just him stimming and destroying shit because stuff didn’t go his way. Bad reactions when plans are interrupted. At the staircase when Sid runs away he punches himself in frustration. Talks with hands in Sidney’s room about The Exorcist. Favorite person/people (his mom and Stu). Extremely overdramatic. When he got fake stabbed. When he falls down the fucking stairs for no reason. Finally, just socially awkward. Any word out of his mouth makes people uneasy. Ez

…Finally for Billy I js wanna say he arches it a lot and I think only someone who takes it like a good boy wpu;ld do that Ok im done by.e

LIKE AND SUBSCRIBE FOR MORE BANGERS LIKE THIS ONE

[courfeyrec]

i keep coming back to 'i was a functioning alcoholic til nobody noticed my new aesthetic' because i do distinctly remember conversations about how taylor seemed to be drinking a lot more and getting drunk at like every awards show she went to. and those conversations were coming from a place of concern and of hoping that she was alright and that this wasn't a problem.

so to then say 'ugh i can't believe no one noticed this problem i had' when i know that people definitely did, and on the same album say that fans who are genuinely concerned about a new relationship that you are in are just 'bitching and moaning'? what do you want from them? you're talking about so many people who do at least believe that they are coming from a place of care and concern, and you are totally dismissing them on both ends of a scale!

not to mention that her implying that since nobody (???) was noticing her ~aesthetic~ drinking problem she just stopped having it is a bit of a kick in the teeth to people who do have drinking problems and can't just stop having them, since that's not how it fucking works.

[essektheylyss]

did someone actually hate on your fave? or did they neutrally attribute a trait to them that you've unnecessarily negatively moralized and you hurt own feelings about it? or, perhaps, did you project too hard and now interpret even mild critique or simple acknowledgement of interesting character flaws as an ad hominem attack on yourself?

[here-there-be-drag0ns]

Chip not having a gaping hole in his chest post-death is the hill i will die on, actually. I am on my hands and knees. Please I am begging yall. He does Not have a hole in his chest where his heart was thats Not how he died guys I'm begging yall (<- guy at the end of their rope /dramatic)

[egophiliac]

(breathing into a paper bag) FRALIO....

can't believe they gave us another guy. oh my god. so I guess Kelka is more, uhhh, more OOO then, and Fralio is Ankh? not that it matters too much, although they do seem to be doing something with the connected Riders so. who knows. anything goes! or if I may, anything gOOOes! god. of course they're the Ambition parallel. of course they are. oh my god.

fortunately there's nothing else they can throw at me right now that could possibly --

AHHHHHHHHHHHHHHHHHHHHHHHHHHH

[varyathevillain]

no joke but what I really want for Buddy Daddies as a fandom is to make fanart and fanfic post present time ep12 where Rei wears an arm orthosis when working.

I think varied disability aids being represented would be fantastic, and personally would write Rei as someone being deeply proud of something he's done for his family, but also understanding with time that using an orthosis also helps him at work and in raising Miri. with a giant portion of mobility/motorics aids being represented by prosthetics, seeing more variety and exploring it in fiction would also help making a step in normalising disability treatments.

[cloud-based-and-rainpilled]

I’ve been highly confused as to why Michael “deeply openly thirsting on Twitter about David Tennant for half a decade” Sheen is half-in half-out the closet but apparently Wales is absurdly homophobic lmao what the fuck how is a country the size of New Jersey that much of a hater bruh we out number the shit out of you

[dollypopup]

I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.

[deanofsam]

i fear i’m not as horny as some of you… what if i just want them to keep doing their weird not-doing anything forever. what if it was enough for me that they remain by each other’s side for the rest of time. what then